| ID | Interpret | Skladba | Album | |
| 1. | Memory As Perfection | Shattered Hearts | split with Scent of Human History |  |
| 2. | Hall of Human Origins - American Museum of Natural History | Hall of Human Origins - American Museum of Natural History | Hall of Human Origins - American Museum of Natural History | |
| 3. | Hall of Human Origins - American Museum of Natural History | Hall of Human Origins - American Museum of Natural History | Hall of Human Origins - American Museum of Natural History | |
| 4. | AXIS/TRANK | The Scent | The Scent | |
| 5. | AXIS/TRANK | The Scent | The Scent | |
| 6. | Die Krupps | Isolation | Scent |   |
| 7. | Thomas Newman | Por Una Cabeza - Performed by The Tango Project | Scent of a Woman | |
| 8. | Thomas Newman | Por Una Cabeza - Performed by The Tango Project | Scent of a Woman | |
| 9. | The Tango Project | Por Una Cabeza | Scent Of A Woman | |
| 10. | Geoff Thompson | AM | Human-to-human bird flu possible in Sumatra | |
| 11. | ANALENA | Ways Of Seeing | It' Never Too Late To Split Up * split w/ Sensual Love | |
| 12. | ANALENA | Ways Of Seeing | It' Never Too Late To Split Up * split w/ Sensual Love | |
| 13. | Homo Iratus | Tomahawk Cruise Messiah | Human Consumes Human | |
| 14. | Homo Iratus | Tomahawk Cruise Messiah | Human Consumes Human | |
| 15. | Alias Pail | Friendly Ghost | My Pail Split Split | |
| 16. | Mark Dimunation | The Thingness of the Digital Object: A Curatorial Dilemma | Text & Image: From Book History to the Book is History (Feb2) | |
| 17. | Donald Hoffman | The User-Interface Theory of Perception: Implications for the Evolution of Text and Image | Text & Image: From Book History to the Book is History (Feb2) | |
| 18. | David Rosenthal | If Books are History, How Can the Future Have a Past? | Text & Image: From Book History to the Book is History (Feb2) | |
| 19. | Cohen, Dimunation, Newman | Artifacts questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 20. | Richard Burt | Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema | Text & Image: From Book History to the Book is History (Feb2) | |
| 21. | Burt, Hoffman, Krapp | Visual World questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 22. | Daniel Clancy | Indexing All the World's Books: Future Directions and Challenges for Google Book Search | Text & Image: from Book History to the Book is History (Feb2) | |
| 23. | Steve Franklin | Introduction to Future | Text & Image: From Book History to the Book is History (Feb2) | |
| 24. | Jane O. Newman | Forged Under Fire: The Fate of Libraries in Times of War | Text & Image: From Book History to the Book is History (Feb2) | |
| 25. | Clancy, Davis, Franklin, Jain, Rosenthal | Future questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 26. | Blanchette, Cho, Gelfand | Signatures and Typography questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 27. | Barbara Cohen | Introduction to Artifacts | Text & Image: From Book History to the Book is History (Feb2) | |
| 28. | Chandler, Dooley, Tanji | Collections questions | Text & Image: From Book History to the Book is History | |
| 29. | Jackie Dooley | The Real Stuff: Why Original Artifacts Still Matter | Text & Image: From Book History to the Book is History | |
| 30. | Robert Folkenflik | Anonymous Johnson | Text & Image: From Book History to the Book is History | |
